Sculpture
Texture, Colour, Movement
The Sculpting Process
When working with a model I start by making sketches, either with pencil and paper, or with clay (maquette). Having established a feel for the model, I will then begin work on the final piece. I start by building layers of clay. I begin with the overall shape of the sculpture and move towards creating detail.
Once the sculpture is finished it is hollowed out and left to dry. When the clay is dry it can be fired for the first time.
When firing a new sculpture anything can happen, (cracking, or even an explosion) but if all goes well I will have a biscuit-fired piece. I then glaze and fire again - ’stone-firing’ (higher temperature).
If the sculpture needs to be weather proofed, I stone-fire it. Craft-crank clay lends itself to this process.
'Naomi', stone-fired ceramic figure by Sarah Money
'Growing Wings' ceramic figure by Sarah Money
Reclining figurative ceramic sculptures by Sarah Money
Crackle glazed ceramic sculpture
Ceramic resting figure
Talking ceramic figures
Ceramic seated figure
Three blue ceramic figures
Textured ceramic torso
Gang of ceramic sculptures
Ceramic resting figure
Ceramic kneeling figure
Ceramic man sitting
Oscar, ceramic head
Ceramic resting figure
Ceramic waiting figure
'Emerging' ceramic figure
Two ceramic men, seated
'Ocean' ceramic figure
Ceramic sleeping figure
Witch
Crackle glazed seated figure
Mother and child ceramic sculpture by Sarah Money
Ceramic angel by Sarah Money
Ceramic angel by sculptor Sarah Money
From the sea ceramic sculpture
Kharis ceramic sculpture
'All our children' - figurative sculpture by Sarah Money, stone-fired
'Angel' - figurative sculpture by Sarah Money, glazed and stone-fired
'Blue Torso' - figurative sculpture by Sarah Money, glazed and stone-fired
'Sleep' Glazed and stone- fired by Sarah Money
Sea Witch, Glazed & Stone-fired by Sarah Money